Posted in March 2010

Blinked.tv

Blinked.tv

Hopefully I will get round to blogging about Digital Storytelling ’10 eventually, but there was something particular that I wanted to blog about.

Blinked.tv was shown to a group of us at the event and, if it actually works, might open doors. Blinked.tv is a mobile application (currently only working on selected phones like my Nokia smartphone) that allows you to do live text, audio and video all in one. You can also very easily switch between any of them with the press of a couple of buttons. It is definitely an exciting sounding way of making multimedia journalism with just your phone. It works with all networks and can be embedded and seen on any website. Blinked.tv also doesn’t take ownership of your content. Whatever you put up on the site is yours and yours only.

In terms of the nitty gritty details of their business though, they’re not making any money at present. Their proposed business model suggests that they will take money off of users who use up more bandwidth once they get to a certain stage. However, this might look like a serious challenger to the likes of Qik, which, whilst popular, can only do streaming video. It’s also free, which makes me even more willing to give it a go.

It certainly might have potential in the field of music but before I can fully stand by these claims, I need to make sure that this works. I’ve set up a test on the Playground.

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Digital Storytelling ’10 – how to follow it

I am at the Digital Storytelling conference at Southbank University today. There are three ways you can follow todays’ action from home/your office:

  1. The Twitterwall created especially for the event, which looks swish.
  2. My own Twitter account, or, quite frankly, anyone who users the #ds10 hashtag.
  3. My own CoverItLive blog, which can be found on my new ‘playground’ blog.

I hope to see some of you there. There seems to be genuine enthusiasm for this, although the free whisky that’s promised may also be a factor, so I can’t wait!

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Go and buy Plastic Beach

Plastic Beach

This has dominated the stereo for the best part of two and a half weeks and I am closely bordering on the opinion that this is one of the best albums I’ve ever heard. Whilst I ponder that claim, I think it’s certainly the year’s best album and if anything beats it I’ll be astonished.

Read a more coherent ramble on The Musical Chairs.

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Dave Grohl in Fresh Pots

Further proof that Dave Grohl is an actual legend.

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Let The Right One In

Let The Right One In

After much hyping from Mark Kermode, me and my girlfriend finally settled down last night to watch Let The Right One In, a Swedish horror film. Except it isn’t a horror film, it’s a vampire film. Except it isn’t, etc etc fade to repeat.

Let The Right One In focuses on the relationship between Oskar, a 12-year-old who gets bullied at his school constantly, and Eli, a 12-year-old girl who has just moved in next door. As their relationship grows, Oskar begins to learn more about Eli and who she really is. There are a couple of side-plots that bear some relation to the two main protagnists but the film is really all about them.

I’ll need some more time to reflect upon deciding whether this really is a masterpiece. All I will say though is that it is a fantastic, well made and beautiful film. The acting is incredibly solid and it is written in a very intelligent way that adds some real depth and emotion to the storytelling. There is also the gorgeous soundtrack, which is minimalist and sparse yet effective. I will be buying it as soon as possible.

So yes, go out and buy this film and then curse the fact it is being remade by the guy who brought us Cloverfield. For shame.

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