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The Girl Who Played With Fire

I’m currently steamrolling my way through the second book in the Millennium trilogy, The Girl Who Played With Fire. I’m actually reading it so much to the point where I’ll have to pause every now and then just so I can save up money to buy the last book in the trilogy! I’m also at that well-known ‘there’s only so few pages left for this to all be resolved’ section of the novel. What I will say is that if you’ve read the first book and haven’t made a decision over whether to continue onto the next one then I recommend you do – it’s probably more addictive than The Girl With The Dragon Tattoo and there’s a bit more of an intertwining plot too. I do like a good intertwining plot.

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The Daily Blot: The future battleground of online video

One of the most recent trends in digital media is the rise of on-demand viewing. A few years ago we would have scoffed at the possibility of catching up with the week’s TV shows or having access to a library of hundreds upon thousands of films. Today though, iPlayer is indispensable and websites like YouTube have changed the way we watch video online. The film industry has also taken notice of the financial possibilities of on-demand viewing, with more movies legally available online than ever before.

So it’s probably no surprise that retailers who are struggling on the high street are trying to get in on the act. Currys and PC World are set to launch their own on-demand film and TV service called KnowHow Movies. This follows troubled high-street chain HMV also attempting to grab some market share with its own HMV On Demand.

Read the rest of this at The Daily Blot.

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A Thousand Words

I should stress that I’m not a massive Eddie Murphy fan. I haven’t yet seen the film A Thousand Words, which currently has a solid 0% on Rotten Tomatoes, because it’s not out yet. If you’re interested, the consensus on RT says:

Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy’s voice — his greatest comedic asset — dooms this painful mess from the start.

The chances are I probably won’t because, as I’ve said, I’m not an Eddie Murphy fan. It’s scientifically impossible to make a film that absolutely no one likes.

I typed this up and then I preceded to watch the trailer, which you can also subject yourself to above.

There’s far-fetched concepts and then there’s so far-fetched to the point where it’s incomprehensible. I’ve not seen this film but I already bloody hate it because it looks like a giant stinker. Please stop making films Eddie. Please.

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MusicOMH: Florence And The Machine at Alexandra Palace

Florence Welch has come a long way in a short time. Four years ago she was playing small theatres and now she’s taking on arenas and selling out three nights at Alexandra Palace.

Her breakthrough LP Lungs has conquered the world, the singles becoming ubiquitous in 2010, whilst new album Ceremonials has cemented her status as one of pop music’s big-hitters.

This is a venue that suits her and her vast live show. There is plenty of room in this vast space for bombast. Florence’s well-oiled and rock-solid Machine now has support in numbers; to the right of the stage is a string section and a gospel choir on the left.

Read the rest of this review at MusicOMH.

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Radiohead-ticket-price-gate-type-thing

Yesterday there was a pre-sale for the Radiohead UK shows in October. The tickets, as you’ve probably heard, are quite expensive. A standing ticket or block 101 seat for either O2 show was £73 (including all fees) so you can see why people were ticked off – whether they got a ticket, didn’t get one or just didn’t bother.

A lot of this is repeating what I said on Twitter so if you follow me a lot of this might be old news. My point is this: yes, the prices suck but the presale was still a sell-out. The main sale on Friday morning will also probably be a sell-out. If the demand is there and if there are people out there who will buy tickets from primary sources no matter how much they are, then this is a sad reality we might as well all get used to.

I don’t think it’s ok for the people who are setting the prices for tickets to do that. The ‘who’ in question is the promoter but even their decision is influenced by more than one source these days (managers, venues, ticketing agencies) and it’s hard to know whether the band in question has ANY participation in this at all. For all the moaning, if people still buy tickets, the promoters will look at this and use their business brain to charge more next time and if that sells out they’ll just keep going and going. It’s greed, pure and simple. How else can they charge up to £115 for Barry Manilow or £125 for The Cure? How else can they charge £60-65 for a Stone Roses show in Manchester even though they have only two albums and haven’t played live in years?

I know it’s a well-worn phrase but the primary ticket market really is the secondary ticket market now. Instead of actually trying to get rid of the problems posed by touting they’ve chosen an easier, greedier option. I don’t agree/like it as much as the next person and I know this makes me sound a lot like a pessimist (it’s not far from the truth) but, at the same time, no one has a better idea of how to ensure people aren’t taken for fools. It’s also not like you can say to fans “hey, don’t buy tickets” since that would be impossible.

Louder Than War have written up a decent piece on this as well. I’d recommend it if you have a few minutes spare.

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