The Daily Blot: The future battleground of online video

One of the most recent trends in digital media is the rise of on-demand viewing. A few years ago we would have scoffed at the possibility of catching up with the week’s TV shows or having access to a library of hundreds upon thousands of films. Today though, iPlayer is indispensable and websites like YouTube have changed the way we watch video online. The film industry has also taken notice of the financial possibilities of on-demand viewing, with more movies legally available online than ever before.

So it’s probably no surprise that retailers who are struggling on the high street are trying to get in on the act. Currys and PC World are set to launch their own on-demand film and TV service called KnowHow Movies. This follows troubled high-street chain HMV also attempting to grab some market share with its own HMV On Demand.

Read the rest of this at The Daily Blot.

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A Thousand Words

I should stress that I’m not a massive Eddie Murphy fan. I haven’t yet seen the film A Thousand Words, which currently has a solid 0% on Rotten Tomatoes, because it’s not out yet. If you’re interested, the consensus on RT says:

Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy’s voice — his greatest comedic asset — dooms this painful mess from the start.

The chances are I probably won’t because, as I’ve said, I’m not an Eddie Murphy fan. It’s scientifically impossible to make a film that absolutely no one likes.

I typed this up and then I preceded to watch the trailer, which you can also subject yourself to above.

There’s far-fetched concepts and then there’s so far-fetched to the point where it’s incomprehensible. I’ve not seen this film but I already bloody hate it because it looks like a giant stinker. Please stop making films Eddie. Please.

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MusicOMH: Florence And The Machine at Alexandra Palace

Florence Welch has come a long way in a short time. Four years ago she was playing small theatres and now she’s taking on arenas and selling out three nights at Alexandra Palace.

Her breakthrough LP Lungs has conquered the world, the singles becoming ubiquitous in 2010, whilst new album Ceremonials has cemented her status as one of pop music’s big-hitters.

This is a venue that suits her and her vast live show. There is plenty of room in this vast space for bombast. Florence’s well-oiled and rock-solid Machine now has support in numbers; to the right of the stage is a string section and a gospel choir on the left.

Read the rest of this review at MusicOMH.

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Radiohead-ticket-price-gate-type-thing

Yesterday there was a pre-sale for the Radiohead UK shows in October. The tickets, as you’ve probably heard, are quite expensive. A standing ticket or block 101 seat for either O2 show was £73 (including all fees) so you can see why people were ticked off – whether they got a ticket, didn’t get one or just didn’t bother.

A lot of this is repeating what I said on Twitter so if you follow me a lot of this might be old news. My point is this: yes, the prices suck but the presale was still a sell-out. The main sale on Friday morning will also probably be a sell-out. If the demand is there and if there are people out there who will buy tickets from primary sources no matter how much they are, then this is a sad reality we might as well all get used to.

I don’t think it’s ok for the people who are setting the prices for tickets to do that. The ‘who’ in question is the promoter but even their decision is influenced by more than one source these days (managers, venues, ticketing agencies) and it’s hard to know whether the band in question has ANY participation in this at all. For all the moaning, if people still buy tickets, the promoters will look at this and use their business brain to charge more next time and if that sells out they’ll just keep going and going. It’s greed, pure and simple. How else can they charge up to £115 for Barry Manilow or £125 for The Cure? How else can they charge £60-65 for a Stone Roses show in Manchester even though they have only two albums and haven’t played live in years?

I know it’s a well-worn phrase but the primary ticket market really is the secondary ticket market now. Instead of actually trying to get rid of the problems posed by touting they’ve chosen an easier, greedier option. I don’t agree/like it as much as the next person and I know this makes me sound a lot like a pessimist (it’s not far from the truth) but, at the same time, no one has a better idea of how to ensure people aren’t taken for fools. It’s also not like you can say to fans “hey, don’t buy tickets” since that would be impossible.

Louder Than War have written up a decent piece on this as well. I’d recommend it if you have a few minutes spare.

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Do I need an iPad?

It’s a question that keeps popping up now and then and even more so at the moment. Apple are expecting to announce iPad 3 on Wednesday and it’s possible that they might also be revealing a lot more – namely the reduction of price for the previous model – and a possible mini-version of the popular tablet at a lower price to lure in customers that have been dissuaded by the expensive of the main model.

The rumours of an iPad Mini, which will not die, are interesting but you do wonder whether or not Apple really need to make one. This could be seen as a reaction to the Kindle Fire, which as far as I understand has been selling quite well in America, but iPad sales are so strong and consistent that I’m not quite sure they need to be this aggressive. I’ve never seen Apple as a brand that sells well because it is cost-effective for the consumer (with the possible exception of the iPod in its present format), I see it it as a brand that sells well because of the brand itself. You never know though, it could be the rumour mill going into overdrive. Again.

Apple is expected to have a very successful launch and will probably a ton of money from the sales of the all-new tablet. They aren’t the only ones either – ARM Holdings, designer of the chips that went in the iPad 2 and the iPhone, will also probably see some success on the stock exchange (incidentally they’ll also have a good year since their chips will go in new Android and Windows 8 appliances) as will others like Micron Technology that have some relation to Apple’s products.

But enough about who will make a lot of money, do I actually need to part with my hard-earned pounds and pence? I own a Dell laptop that has worked perfectly well for me in the few months that I have had it for. The iPad to me, whilst a really easy-to-use and functional product, would essentially be replicating anything that I can do on my laptop albeit in a much more slimline physical form.

Michael Hyatt wrote a blog piece last year when iPad 2 was launched and he managed to perfectly summarise who would benefit from buying one and who wouldn’t:

Media Consumer: These are users who mostly consume media. The iPad is a fantastic device for this kind of user. You can consume media of all types: movies, books, web surfing, etc. If this describes you, the iPad may be the perfect device.

Digital Contributor: These are users who are more than consumers. They also contribute and collaborate via the web. They read and respond to email, blogs, Twitter, and Facebook. The iPad is a decent device for this. The software keyboard is more clumsy than a physical one, and it doesn’t have all the features I have grown accustomed to. I especially miss my keyboard shortcuts and special typographic characters.

Content Creator: These are users who create content. In addition to consuming media and collaborating via the web, they also create content. This includes serious bloggers, book authors, graphic artists, videographers, etc. Yes, there are applications to do all these things. (Heck, you can do most of these things on your iPhone.) But, in my experience, it requires way more work.

Either way, I’ll still be keeping an eye on the internets on Wednesday evening, glued to the inevitable liveblog that The Guardian will set up. These things are always  exciting regardless of what you think of Apple or their products. I’ll see you on Twitter in a couple of days just like everyone else.

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