Tagged with bbc

The BBC isn’t recruiting the locals at MediaCity

The bad press about the BBC’s MediaCity base in Salford will just not go away. Today it has been revealed that out of 680 new jobs, only 26 of them went to people from Salford. That’s less than 5%. Oh dear.

Local Labour MP Hazel Blears said:

The BBC needs to up its game and start to employ local people for local jobs.

Ken Lee, human resources director for BBC North, said:

We believe that this is a promising start. The BBC has recruited from across the north of England based on skills and experience, not by postcode.

In semi-related news, new unemployment benefit claimant figures show that the amount of claimants in the Salford and Eccles constiuency has gone up by 14.8%.

Of course I am being slightly unfair to Ken Lee. It’s not a bad thing to recruit based on skills and experience but it does raise an interesting question: is it a responsibility for the BBC to stimulate the local economy by recruiting people from the area or not?

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Showing a Newsnight debate after Terry Pratchett’s documentary was an act of poor editorial judgement

Last night I, like many others I presume, sat down and watched Terry Pratchett: Choosing To Die, an emotional documentary that showed the author, who is diagnosed with Alzheimer’s, exploring the subject of assisted death, which he supports. This involved going to Switzerland – the act is legal there whilst it currently isn’t in the UK – where he followed two people who chose to end their life there. The last ten minutes showed a man drinking a lethal fluid before subsequently falling asleep and then eventually was pronounced dead.

It was a startling, powerful and thought-provoking documentary. I feel very much when these things are televised that one has to absorb what they’ve just seen. I would certainly need the time to consider and conclude what my feelings are on assisted death/euthanasia after seeing that program because it raises many important points.

Sadly, the BBC had other ideas. Right after it ended, a special edition of Newsnight started up, presenting…well, I’ll let the Radio Times explain:

In a follow-up to the documentary shown at 9pm, Jeremy Paxman talks to Sir Terry Pratchett, while a panel of guests debates the controversial issues surrounding assisted death. Can a satisfactory legal framework ever be devised to enable the terminally ill to take their own lives?

I have no problem with the idea of a debate on the issue and I appreciate that a level of sensitivity towards the issue was shown but this particular broadcast really angered me for two principal reasons.

Firstly, the timing of it is really ill-judged and it leads on to a much broader point about the state of news, specially television news, in the technology/24-hour age. We now live in a world where it is impossible to witness something and then be allowed to have some time to make our own judgements. Instead, what we’ve now succumbed to is watching people talk about thing they’ve just seen unfold on the TV and making snap judgements that are meant to be final. Inevitably these discussions can help influence what we think to the point where any opinion we have thereafter is not truly our own opinion.

A snap judgement on an issue as complex as this is impossible, so why hold this now? Why not wait a week or two or maybe even longer for all the fuss to die down? The counter-argument is that it’s topical. This is true but it’s not the be all and end of it.

Secondly, it trivialised the debate to almost excruciatingly painful levels. Three people who supported assisted death were pretty much pitted against three people against it, therefore pretty much allowing argumentative and overly-passionate discussion to unfold. How is this productive? If anything it is counter-productive and has the potential to encourage discourse of a dubious and questionable nature. A week ago, Graham Linehan refused to get sucked into an ‘artificial argument’ about films being brought to the theatre. You can read his piece on The Guardian’s site but this quote is key:

The style of debate practised by the Today programme poisons discourse in this country. It is an arena where there are no positions possible except for diametrically opposed ones, where nuance is not permitted and where politicians are forced into defensive positions of utter banality. None of it is any good for the national conversation.

Whilst watching the debate, I felt that there seemed to be no middle ground being offered up; it was incredibly stilted. The reason why, in my mind, was because it was set up to be that way. It also didn’t help that, when you take away the pre-recorded segments that were introduced throughout, they only have twenty minutes to discuss everything, which is utter nonsense.

Incidentally, after I tweeted about my disappointment with Newsnight, I got a response from their own Twitter account basically asking why. I hope that this goes some way towards answering that but I also have queries of my own. Why are debates like the one you aired last night set up in a way that feels constructed more to get people riled up as opposed to actually producing a discussion that is sensible? Why did you decide to have this debate immediately after the documentary aired? I’d be really interested in what they have to say for themselves and, in a dream world, would hope to have a discussion with someone of appropriate power. I love journalism and I love current affairs but this didn’t it any justice whatsoever.

Disclaimer: Just to clarify, before someone thinks otherwise, I am not criticising the documentary itself. It was extraordinary television that will no doubt be one of the year’s most memorable piece of documentary-making.

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Are the Tories crippling the BBC?

6 Music

So I got home last night from London after attending the Future Of News Meetup. I was pretty tired and relaxed and about to play Football Weekly Extra and then I saw Chris Addison go completely beserk on Twitter about 6 Music, the BBC’s ‘alternative’ digital radio station. Why? Because the BBC might be axing it, alongside the BBC Asian Network.

This has, over the course of the last few hours, caused outrage and confusion from past station DJs, music journalists and listeners and fans. Of course, this isn’t the only thing that will change. The website staff will be cut, Switch and Blast! (rivals to Channel 4′s T4 strand) will be axed and a lot of US imports of high quality like The Wire and Mad Men will be axed.

The key thing in all of this was that these decisions are based on a report made by a guy called John Tate. Tate is a former head of the Conservative party’s policy unit and drew up the 2005 party manifesto with David Cameron. The fact that Mark Thompson, the BBC’s director-general, is probably going to have to make these changes shows a case of an organisation being forced to change under a potential new government that cares more about their business interests than serving the needs of the public.

I am terrified and mortified.

I have been very critical of the Tories before on my blog in a couple of other areas, but this takes the biscuit. These changes are not anything to do with serving the public, which the BBC caters for and no one else. It has everything to do with suiting the interests of a number of businesss individuals who want to decrease the power that the BBC has. It wants to run the corporation like a business as opposed to a public service. It’s clear that there are agendas here.

I was going to write a lot of of other things but there’s been two developments this afternoon that add light to what is going on. Firstly, I sent a ‘complaint’ to the BBC (although my complaint was more about 6 Music) because of all of this and they e-mailed back. Their reply, in full:

Thanks for your e-mail regarding BBC 6 Music.

All services are being reviewed at the moment as a part of the BBC wide Strategy Review. The details of the review are currently being considered by the BBC Trust, but at this stage the BBC cannot comment on speculation.

However, we would like to assure you that we’ve registered your complaint on our audience log. This is a daily report of audience feedback that’s circulated to many BBC staff, including members of the BBC Executive Board, channel controllers and other senior managers.

The audience logs are seen as important documents that can help shape decisions about future programming and content.

Thanks again for taking the time to contact us.

Regards

BBC Complaints

If you want to complain to the BBC, you can do so here. It’s a good way of letting off steam more than anything.

And then, just now I’ve learned that Absolute Radio might be willing to buy 6 Music should the BBC axe them. Clive Dickens, the station’s chief operating officer, told The Times:

We would buy 6 Music from the BBC, both the brand and the network, and we’d run it more efficiently than they’ve been doing. The passion that we’re seeing from listeners shows there’s nothing wrong with the station, it’s just been overfunded.

It would stand a better chance of succeeding if it was run commercially. It could be a complementary service that could be run alongside our own stations. It wouldn’t generate a lot of cash but it would serve a lot of fans who don’t want to be disenfranchised.

And then the BBC issued a statement saying that the future of the programs and stations under threat hadn’t been decided. Yes, that’s a third development and one more than I previously stated, but it broke whilst I was writing this so bare with me.

In summary though, the BBC is showing itself to be pushovers, and, ultimately, trying to please the people who have power over them first and foremost. Make of that what you will…

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Why Jonathan Ross quit the BBC

Jonathan Ross

The news that Jonathan Ross will be resigning from the BBC is not a surprise to those who are in the know about the media. There had been rumblings of this happening for a few weeks now because of all the issues regarding his own contract, which the BBC would have had to lower significantly. In short though, there are two reasons why he resigned.

The first is the implications of the Sachsgate saga. Throughout 2009 he has been told to rein in some of his jokes and his swearing as the corporation lived in fear of having even more bad press (although they did tons of other things last year that did that instead). Because of this, Ross himself hasn’t been the same as an entertainer and nowhere is this more evident than his Friday night talk show. It’s not as funny or indeed as watchable as it used to be and that isn’t down to Ross’ talent waning, but because he isn’t allowed to do what he wants to do. The only program where he had full control was Film 2010.

I think he also feels that the BBC no longer knows what to do with him, so instead of having more contract negotiations that would have proven awkward, he’s decided to skip all that and jump overboard. The BBC have no other programs they can use Ross in and they haven’t even tried to get him into new ventures for quite a while. It’s almost like they’re embarrassed to have him, especially on a £3 million-a-year contract.

Ross has timed all this to perfection and I can see him moving ship to Channel 4 where he will have full control again of what he’s allowed to do. ITV is also possible but I do think that they’re also trying to avoid being censured and I think they’d be quite brave to take him on.

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