Tagged with Film

Frost/Nixon film review

Frost/Nixon

Centred around the legendary interviews that Sir David Frost conducted with Richard Nixon in the 1970s and based on the Broadway play of the same name, the Ron Howard-directed film Frost/Nixon showcases the story of how the conversations were organised, the mindsets of both Frost’s camp and Nixon’s camp before and during the interviews (similar to a game of chess), and the aftermath of the airing of the interviews that ultimately put a nail in the coffin of Nixon’s reputation. There are documentary style interviews conducted with some of the characters in the supporting roles but the real focus of the film is the ambitious and maverick David Frost, who has everything to lose after his own TV shows get cancelled, and the crooked yet almost frail Richard Nixon, who also has everything to win following the crushing Watergate scandal.

Michael Sheen has his Frost impersonation down to a tee, despite not looking a thing like him, and is well casted, whilst Frank Langella’s portrayal of Nixon is one that is powerful yet somehow emotive and quite sad in some ways, as the character comes to terms with the fact that the secrets he hides are too big to cover up for the rest of his life. The supporting cast, full of more famous names than I remember at the time of its release, is very competent and very well-equipped, with Sam Rockwell and Kevin Bacon the two stand-outs, both of whom play characters with completely different motives.

It’s a succinct, well made, and direct film that does not fall victim to overstaying its welcome and if you had told me that this was originally a play on Broadway then I wouldn’t have guessed and that in itself is quite an achievement.

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Films at Reading Festival

In The Loop

The Reading Festival isn’t just about music y’know! They have a cinema tent that runs from midnight to 4am on all three festival days. There is a good chance I’ll want to go and see a few films. Here’s what’s on offer in one sentence summaries, bearing in mind I have only seen one of them (guess which one!):

Death Race – A film where Jason Statham acts hard and serious like really bad action heroes should.

The Transporter 3 – Another Jason Statham film that is possibly unrecognisable from Death Race bar plot and the rest of the cast.

Role Models – Paul Rudd stars in a American comedy that might provide cheap laughs.

In The Loop – Political satire by Armando Iannucci and something I am genuinely looking forward to.

The Dark Knight – It may have its flaws but this is still a highly likeable Batman film.

If you were me and had to see only one of those five films, which would it be?

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The Darjeeling Limited

Darjeeling Limited

As part of a message board film club, I watched this film last night. I’m no stranger to Wes Anderson – I liked The Life Aquatic for all its kookiness and brilliant use of a Sigur Rós song in its final scenes. The Darjeeling Limited isn’t quite as good. Whilst there is a lot to admire, including the way it is shot, which almost makes the film look like a throwback to the 70s as it has a sort of psychedelic air to it, and the relative simplicity of the story, there just seems to be a lack of conviction to me. The second half is also a bit dodgy and I wasn’t really sure where it was going. Owen Wilson, Adrian Brody and Jason Schwartzman give fine performances but nothing outstanding.

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Moon

Moon

Today me and Aino went all the way to Brixton, London to watch a film, albeit one that I’ve been anticipating for a while. Moon, directed by Duncan Jones, son of Bowie (though there is a chance you’ll already know this since every newspaper/magazine article about this film has been ramming this factoid down your throat with brute force), recently won the top prize at the Edinburgh Film Festival and is a refreshing alternative to a summer of many, many cash cow calamities.

I can’t really say too much of the plot because it is so carefully constructed but what I will say is that some of the themes and overall story details are not original and definitely owe a debt to some of the great sci-fi films of the past. I’ll give it a go anyway. It’s all about a man called Sam. On the surface, Moon is quite a simple sci-fi film – man is in space and man is very, very lonely. The only conversation to the outside world that feels even vaguely emotional to Sam is pre-recorded video messages to his wife, Tess. Or is he alone? It turns out that Sam may not be alone as he previously thought.

Sam Rockwell is well cast and his performance is solid. As the film develops, Sam’s physical condition continues to decline. It gives him the perfect chance to showcase his various skills as an actor. Technically, this is a film that ticks all the boxes – the combination of making brilliant use of a set that looks relatively sparse and a rather beautiful soundtrack to evoke emotion where so many other (and it should be said, big blockbusters) sci-fi films have failed. I must admit that I appreciated the technical side more than the acting side but the two together work very well.

If you get a chance to see Moon, you should. Talent definitely seems to run in the family where Duncan Jones is considered, even if it means going into a completely different genre of entertainment instead.

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Three 50 Word Film Reviews

Girl, Interrupted

Girl, Interrupted – A decent film with good performances from Winona Ryder and Angelina Jolie. Really quite a dark and twisted film and I don’t think it would appeal to everyone. In the same light, I do think it is slightly overrated but its heart is in the right place. Worth a watch.

Public Enemies – Acted well, but the narrative and script is flawed and why would anyone use DV cameras for a film like this? The switch between modern day cameras and HD cameras was annoying. One thing I will also say: can Christian Bale now do a light-hearted role please? He needs one.

The Fountain – Absolutely weird and it left me cold. I can understand why some people didn’t like it but I found it confusing, unfocused and too much thought on themes over story. That said, it has a decent soundtrack and the special effects are pretty cool. And Hugh Jackman cries. A lot.

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