Tagged with films

A Thousand Words

I should stress that I’m not a massive Eddie Murphy fan. I haven’t yet seen the film A Thousand Words, which currently has a solid 0% on Rotten Tomatoes, because it’s not out yet. If you’re interested, the consensus on RT says:

Dated jokes (A Thousand Words was shot in 2008) and removing Eddie Murphy’s voice — his greatest comedic asset — dooms this painful mess from the start.

The chances are I probably won’t because, as I’ve said, I’m not an Eddie Murphy fan. It’s scientifically impossible to make a film that absolutely no one likes.

I typed this up and then I preceded to watch the trailer, which you can also subject yourself to above.

There’s far-fetched concepts and then there’s so far-fetched to the point where it’s incomprehensible. I’ve not seen this film but I already bloody hate it because it looks like a giant stinker. Please stop making films Eddie. Please.

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HMV launch on-demand film service but is it too late?

HMV have announced a solution to battling slumping sales in their stores – they’ve launched their own video-on-demand service on their website.  Called hmvon-demand, the high street chain is going to partner up with FilmFlex, a joint-venture between Sony Pictures and The Walt Disney Company, to provide a whole host of popular and/or actually quite good films.

Is it too late though?

Lovefilm and Amazon have had a partnership going since 2008 that has worked well for both companies and Tesco took control of 80% of Blinkbox, another competitor, in April. With highly popular US service Netflix finally coming to the UK early next year, they’re going to be fighting in an increasingly competitive field. They would have been better off launching it earlier this year just to be a step ahead. Now it just looks like they’re sluggish to respond to the demand for digital film services.

On the plus side, having had a look at their prices for some films, it seems fairly reasonable on that front. I managed to find Submarine, available to watch for £2.79, and Slumdog Millionaire, available to watch for £2.49. There are more expensive ones but I’ve not seen anything more than £3.99 – so relatively in line with their competitors. Quite surprising really since HMV have a good track record for completely ripping off customers with the prices of DVDs or CDs sometimes.

I think if they promote the service really well then HMV might get some much-needed money out of it – a major marketing campaign is planned for January – but it’s definitely got a tough job to come out on top of the aforementioned competition.

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Never Let Me Go

Never Let Me Go

What do you do on Valentine’s Day? You see a tragic movie, of course. Me and my girlfriend have a habit of seeing unconventional films on special occasions. We’ve seen Closer, the Ian Curtis biopic, which has a rather unsettling final half-an-hour. We’ve seen The Boy In The Stripped Pyjamas, a story about two kids trying to be friends even though a concentration camp fence separates them. Any feature presentation about that subject matter is going to be tough, especially if the main characters are children. It’s safe to say that we don’t pick conventional films. This is why we saw Never Let Me Go in Guildford last week whilst everyone else went to see The King’s Speech for the umpteenth time.

There is not a lot I can say about it without giving away the plot but I can provide a ‘nutshell’ description. It’s a story about three people who learn early on in life about an ‘unfortunate event’ that is going to happen to them. The rest of the time is spent looking at the relationships between the three of them and follows them as they get older.

Needless to say though, it is deeply moving and there is a very good chance that you will cry. Perhaps even more than once. The cast is very strong and Carey Mulligan and Andrew Garfield are both, in particular, excellent.

Other highlights include the direction of Mark Romanek – can you believe he used to direct the disturbingly sexy video for Closer by Nine Inch Nails all those years ago? – and the soundtrack, which I thought was suitable in terms of tone. Infact, after a lot of time to reflect I still don’t think any less of it. I was wondering whether tears would have skewed my thoughts but they haven’t – it’s still a film I’d highly recommend.

What’s quite confusing is how this has received little to no attention as the awards season has been and gone. This premiered at the London Film Festival with people behind it expecting nominations galore. In the end, it’s been snubbed altogether. This could be because competition this year is so good (Inception, The Social Network, The King’s Speech etc.) and that in any other year they might have had a chance. Something this good shouldn’t be swept under the carpet. It’s worth keeping an eye out for this when it’s released on DVD; I hope at least then it finds the audience it richly deserves.

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The Social Network

The Social Network

So, last Sunday I went to the Odeon in Guildford for a preview screening of the eagerly-anticipated David Fincher movie, The Social Network. I had been waiting for this film for a while – ever since I found out about the people involved and then seeing the first proper trailer. Needless to say, it didn’t disappoint and is probably one of my favourite films of the year.

A story about the character of Mark Zuckerberg and his various friendships as he creates the global behemoth that is Facebook could have gone so wrong in so many ways but a combination of factors prevent a failure. Aaron Sorkin’s screenplay is inspired, funny and gripping for the entirety of the two hours of the film. It’s an immensely dialogue-heavy film but it tells the story in a very succinct and clever way – interspersing the narrative with scenes from the two lawsuits against Zuckerberg, which act as part of the ‘narration’.

The cast is also made of stellar talent that comes good. If Andrew Garfield, the future Spiderman, doesn’t get a breakthrough before then on the back of this then something is inherently wrong with Hollywood as he plays the role of Zuckerberg’s only friend (until he is sued by him), Eduardo Saverin. Jesse Eisenburg is also plays a very convincing portrayal of the main protagonist in, not least his mannerisms and in his facial expressions, but in the personality he conveys: a young man lacking in social skills and who doesn’t know what is right or wrong. Justin Timberlake is also excellent in his portrayal of Napster founder, Sean Parker, who lures Zuckerberg to Palo Alto in California to pursue his dreams. Finally, Armie Hammer does a great job in playing the Winklevoss brothers, who are a pair of well-off rowing athletes that also sued the billionaire.

The soundtrack by Trent Reznor and Atticus Ross, Fincher’s direction, the narrative structure…there are many good things about The Social Network. It’s very hard to think of a criticism. The only thing I can come up with is that the product placement might be a bit OTT but I personally didn’t feel that bothered by it. It’s far too early to talk about Oscars but don’t be surprised if this in the running for several awards.

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Ponyo

Ponyo

I’d be lying if I was saying that Ponyo is a simple ol’ family film. It isn’t. It’s actually quite strange in places. However, the main story is one that is quite enchanting and quite cute. A young boy, Souke, finds a goldfish, who he names Ponyo, who is seeking to become a human. As their relationship unfolds, strange events occur on land and all manners of reality and physics are broken. The vividness of the animation (well, it is anime) and the soundtrack are vital in assisting a very well-thought out kids film with good voice acting (though I was watching the dubbed English version, which includes Tina Fey, Cate Blanchett, Liam Neeson and Matt Damon to name but a few). If you’re a bit bored of computer-animation then you can’t go wrong with this.

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