Tagged with Media & Sport

Should Guido Fawkes have left the Alistair Campbell draft evidence statement online?

This morning Alistair Campbell was delivering evidence to the Leveson Inquiry in London. There’s a good chance that you already knew what he was going to say though because Guido Hawkes managed to leak an early draft of his evidence via his blog on Sunday. Lord Justice Leveson promptly made an order under the Inquiries Act 2005 to get the political blogger (or Paul Staines in the real world) to remove it, which ended up being successful. Staines will now appear before the Inquiry tomorrow to explain it all.

Specifically, Lord Justice Leveson used Act 19, ‘Restrictions on public access etc’, to make his order. His reasoning was that they might, in the words of the Act itself, cause ‘harm or damage’. The Act also outlines examples:

  • death or injury
  • damage to national security or international relations
  • damage to the economic interests of the United Kingdom or of any part of the United Kingdom;
  • damage caused by disclosure of commercially sensitive information.

I doubt that any of these would apply to the document that Staines put up online. Is the economic interests of the UK really going to be affected by what an ex-spin doctor says? Is this seriously going to affect national security or international relations?

There’s also the fact that evidence that each witness is providing is being put up online anyway. You can even look at Alistair Campbell’s now on the inquiry’s website. So does it really matter that an early draft has been leaked? Similarly, if it wasn’t a blogger that had leaked this but a news organisation like the Times or the Guardian would Lord Justice Leveson been equally as urgent to have the early draft taken down?

Obviously Staines took it all down but it does raise (again) some questions about digital media’s place within UK law, some of which might be asked and/or answered tomorrow.

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Tablets are the future of local journalism? I don’t think so…yet

John Meehan, former editor of the Hull Daily Mail, recently wrote a piece on InPublishing about sustaining community journalism (something that is relevant to my main line of work). It’s well written and I find myself agreeing with quite a few of his points. However, I don’t quite buy his assertion that tablets are the future of journalism. At least not yet anyway. He says:

I am astonished by the scarcity of regional media activity on tablets. Lately, I have become convinced that newspapers will migrate in significant proportion to mobile devices.

But when will they migrate? I think that is the more pressing question here. The reason as to why regional media activity isn’t thriving on tablets is very simple: there isn’t an audience for it yet. Why isn’t there an audience for it yet? The technology is not as good as it could be (it’s not bad at the moment but it WILL improve considerably in the next few years) and I’d imagine that a lot of people who buy regional papers don’t own a tablet.

My theory is that they still use their PCs or laptops at the moment because the tablet market is not quite at the stage where they are readily available and affordable for the mass market. It took years for the smartphone market to thrive in this country and the same thing is going to happen with tablets. On that basis, I think there will be a time in the future when it’ll be a good idea for local newspapers to make their way to the tablet but they have to time it right; too soon and it’ll be deemed an expensive failure before it even has a chance to flourish but if it’s too late then it’ll be trying to make up for lost time.

Hopefully this won’t get in the way of a key principle of local journalism that sticks regardless of format: local newspapers need to grow an audience online before they can even think of embracing these brand new technologies. Audience is everything with local journalism and it’s key that a relationship is built between local media and local people. Without this you are sunk.

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HMV launch on-demand film service but is it too late?

HMV have announced a solution to battling slumping sales in their stores – they’ve launched their own video-on-demand service on their website.  Called hmvon-demand, the high street chain is going to partner up with FilmFlex, a joint-venture between Sony Pictures and The Walt Disney Company, to provide a whole host of popular and/or actually quite good films.

Is it too late though?

Lovefilm and Amazon have had a partnership going since 2008 that has worked well for both companies and Tesco took control of 80% of Blinkbox, another competitor, in April. With highly popular US service Netflix finally coming to the UK early next year, they’re going to be fighting in an increasingly competitive field. They would have been better off launching it earlier this year just to be a step ahead. Now it just looks like they’re sluggish to respond to the demand for digital film services.

On the plus side, having had a look at their prices for some films, it seems fairly reasonable on that front. I managed to find Submarine, available to watch for £2.79, and Slumdog Millionaire, available to watch for £2.49. There are more expensive ones but I’ve not seen anything more than £3.99 – so relatively in line with their competitors. Quite surprising really since HMV have a good track record for completely ripping off customers with the prices of DVDs or CDs sometimes.

I think if they promote the service really well then HMV might get some much-needed money out of it – a major marketing campaign is planned for January – but it’s definitely got a tough job to come out on top of the aforementioned competition.

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When was it acceptable to compare bad news?

I’ll start this post with a description of two different scenarios from my weekend.

On Friday afternoon I was listening to Mark Kermode and Simon Mayo’s film review show on 5 Live when all of a sudden Simon broke news of an explosion in Oslo. At the same time I was browsing eyewitness pictures on my Twitter feed. As developments unfolded and more details emerged it became all the more horrifying and upsetting.

On Saturday afternoon I was in a pub near Euston waiting to be served when all of a sudden I was utterly shocked by my Twitter feed – almost everyone had been saying that Amy Winehouse had died. Me and my friend both said a four-letter curse word many times over before we found the BBC Breaking News tweet that all but confirmed it. As we sat outside we were in utter disbelief.

But this disbelief turned into anger quite quickly. This was because I was ‘treated’ to quite a few tweets and re-tweets of people expressing opinions of a very self-righteous attitude such as “You know, what’s happened in Oslo is far worse than the death of a pop singer.” Yes, because comparing the terrifying actions of one idiot in Norway is much worse than the troubled death of one person in Camden. I didn’t know it had suddenly become acceptable to compare death by terrorism to death by drug abuse.

Then I realised that it’s not acceptable and considered these people utter morons. Death is not some sort of Top Trumps competition where you judge them on several factors nor can it be trivialised. You may feel more affected by one situation over the other but it doesn’t give you the right to lay into people who don’t feel as affected. This is because everyone isn’t ‘you’. We are all different people who are all touched by different things.

There are many people in the world who perhaps don’t really care about Amy Winehouse’s death and I don’t think there is any problem with that if that’s how they feel. However, not feeling compassion towards her doesn’t equal the need to state what situations are worse. All death is sad, and that’s that.

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Showing a Newsnight debate after Terry Pratchett’s documentary was an act of poor editorial judgement

Last night I, like many others I presume, sat down and watched Terry Pratchett: Choosing To Die, an emotional documentary that showed the author, who is diagnosed with Alzheimer’s, exploring the subject of assisted death, which he supports. This involved going to Switzerland – the act is legal there whilst it currently isn’t in the UK – where he followed two people who chose to end their life there. The last ten minutes showed a man drinking a lethal fluid before subsequently falling asleep and then eventually was pronounced dead.

It was a startling, powerful and thought-provoking documentary. I feel very much when these things are televised that one has to absorb what they’ve just seen. I would certainly need the time to consider and conclude what my feelings are on assisted death/euthanasia after seeing that program because it raises many important points.

Sadly, the BBC had other ideas. Right after it ended, a special edition of Newsnight started up, presenting…well, I’ll let the Radio Times explain:

In a follow-up to the documentary shown at 9pm, Jeremy Paxman talks to Sir Terry Pratchett, while a panel of guests debates the controversial issues surrounding assisted death. Can a satisfactory legal framework ever be devised to enable the terminally ill to take their own lives?

I have no problem with the idea of a debate on the issue and I appreciate that a level of sensitivity towards the issue was shown but this particular broadcast really angered me for two principal reasons.

Firstly, the timing of it is really ill-judged and it leads on to a much broader point about the state of news, specially television news, in the technology/24-hour age. We now live in a world where it is impossible to witness something and then be allowed to have some time to make our own judgements. Instead, what we’ve now succumbed to is watching people talk about thing they’ve just seen unfold on the TV and making snap judgements that are meant to be final. Inevitably these discussions can help influence what we think to the point where any opinion we have thereafter is not truly our own opinion.

A snap judgement on an issue as complex as this is impossible, so why hold this now? Why not wait a week or two or maybe even longer for all the fuss to die down? The counter-argument is that it’s topical. This is true but it’s not the be all and end of it.

Secondly, it trivialised the debate to almost excruciatingly painful levels. Three people who supported assisted death were pretty much pitted against three people against it, therefore pretty much allowing argumentative and overly-passionate discussion to unfold. How is this productive? If anything it is counter-productive and has the potential to encourage discourse of a dubious and questionable nature. A week ago, Graham Linehan refused to get sucked into an ‘artificial argument’ about films being brought to the theatre. You can read his piece on The Guardian’s site but this quote is key:

The style of debate practised by the Today programme poisons discourse in this country. It is an arena where there are no positions possible except for diametrically opposed ones, where nuance is not permitted and where politicians are forced into defensive positions of utter banality. None of it is any good for the national conversation.

Whilst watching the debate, I felt that there seemed to be no middle ground being offered up; it was incredibly stilted. The reason why, in my mind, was because it was set up to be that way. It also didn’t help that, when you take away the pre-recorded segments that were introduced throughout, they only have twenty minutes to discuss everything, which is utter nonsense.

Incidentally, after I tweeted about my disappointment with Newsnight, I got a response from their own Twitter account basically asking why. I hope that this goes some way towards answering that but I also have queries of my own. Why are debates like the one you aired last night set up in a way that feels constructed more to get people riled up as opposed to actually producing a discussion that is sensible? Why did you decide to have this debate immediately after the documentary aired? I’d be really interested in what they have to say for themselves and, in a dream world, would hope to have a discussion with someone of appropriate power. I love journalism and I love current affairs but this didn’t it any justice whatsoever.

Disclaimer: Just to clarify, before someone thinks otherwise, I am not criticising the documentary itself. It was extraordinary television that will no doubt be one of the year’s most memorable piece of documentary-making.

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